TRUMPING THE SEPARATION OF POWERS

Trumping the Separation of Powers (2017) Oil on canvas 30” x 30”

Trumping the Separation of Powers (2017)

This work (above), completed in 2017, is the first part of what is now a three-part series focusing on the power of colour (the three primaries – red, yellow, and blue) to explain a central concept of the US governing system – the separation of powers – and to illustrate how Trumpism has eroded this fundamental concept of democracy.

The three primary colours are powerful. Each colour is unique and separate, containing no colour of the other two. Regal blue represents the Executive, fiery red the Congress, and reflective yellow the Judiciary. Traditionally each colour borders on and contrasts with the other two, but no colour penetrates the others.

During Trump’s first term the broad-brush strokes of blue emanating from executive Trumpism washed into congressional red, transforming it to violet and washed into judicial yellow, transforming it to green.

Trumping the Separation of Powers 2.0 (2025) Canadian oil on Canadian canvas 48” x 48” 2025

Trumping the Separation of Powers 2.0 (2025)

This work (above), completed in 2025 with Canadian oil on Canadian canvas is the second in a three-part series focusing on the power of colour (the three primaries – red, yellow, and blue) to illustrate how the central concept of US government – the separation of powers – is now being undermined and dismantled by Trump and his authoritarian chaos.

The chaotic and self-serving slashes of blue emanating from executive Trumpism are infiltrating and contaminating congressional red, transforming it to violet and infiltrating and contaminating judicial yellow, transforming it to green.

The Separation of Powers Post Trump (2033?) Oil on canvas 52” x 16” 2025

The Separation of Powers Post Trump (2033?)

This work (above) – a triptych – is the third in a three-part series on the power of colour to illustrate the separation of powers. It asks the viewer to consider what the separation of powers will look like in a post Trump world. While there are many possibilities, this work illustrates three:

  • Will it be a world where the separation of powers is Rechecked and Re-balanced with a return to the separation of executive blue, congressional red, and judicial yellow?

  • Will it be one in which the separation of powers is Under Checked and Off Balance with executive blue continuing to infiltrate congressional red turning it to violet and infiltrate judicial yellow turning it to green?

  • Or, will it be Unchecked and Unbalanced – a world where powers are neither separate nor distinct, with large swashes of executive blue transforming and permanently changing congressional red to violet and judicial yellow to green?


2025 FAIRFIELD ARTISTS STUDIO TOUR, MAY 3rd & 4th

My thanks to all the folks who visited my Studio on Saturday, May 3rd and Sunday, May 4th. It was a real treat to chat with everyone. The studio tour was a great success with warm sunny weather and engaging conversations Here are a few of the more than half dozen paintings that sold at the event.


Red, White, and Blue — Twyla’s Flower Garden OIl on panel 8” x 10” (SOLD)

Mount Albert Edward — From Mount Washington Oil on canvas 30” x 24” (SOLD)

Sunset over Juan de Fuca Oil on canvas 8” x 24” (SOLD)



MOUNT WASHINGTON SERIES

I’ve been busy painting snowy winter scenes on Mount Washington where I spend many a winter day skiing with my family and friends on the challenging powder slopes and trails. Here are a few of my recent paintings.

Buckle Up for Powder Face — Mount Washington Oil on panel 16” x 20”

End of the Day — Powder Face, Mount Washington Oil on panel 20” x 16”


The Outback — Mount Washington Oil on canvas 24” x 36”

Out of Bounds — Mount Washington Oil on canvas 24” x 26”

Standing Guard — Mount Washington Oil on canvas 30” x 24”


SNOW IN VICTORIA?

Yes it does snow in Victoria and there is nothing better than getting out plein air painting in the snow. Here are two paintings I did in my back yard.

Snow in the Garden Oil on panel 10” x 8”

Snow by the Studio Oil on panel 10” x 8”

Painting in the Snow


ROUNDHOUSE AT BAYVIEW PLACE

The E&N Roundhouse and Turntable properties in Victoria West will be dramatically transformed with the recent “go ahead” for the massive redevelopment project — Roundhouse at Bayview Place.

For years now I have been quietly painting this historic rail yard, complete with roundhouse, turntable, tracks and repair buildings and I have witnessed the subtle changes to this unique place of history, magic, and memory. Before the massive redevelopment gets underway and we lose forever the timeless feeling of this unique place I want to capture the memories through a series of plein air paintings.

Here are some of the beginnings of the end.

E&N Turntable and Roundhouse Oil on panel 11” x 14” 2024 (SOLD)

E&N Rail Lines Oil on panel 14” x 11” 2024

E&N Rail Lines 2 Oil on panel 14” x 11” 2024

E&N Railway Turntable Oil on panel 10” x 8” 2020 (SOLD)

Along the E&N Rail Lines Oil on panel 14” x 11” 2020 (SOLD)

Railway Lines Oil on panel 11” x 14” 2017 (SOLD)

Rail Lines Oil on canvas 30” x 24” 2017

Victoria E&N Railyards 2 Oil on panel 11” x 14” 2016

E&N Railyards Oil on panel 11” x 14” 2016 (SOLD)


See my paintings on line at the Federation Gallery (Federation of Canadian Artists, Vancouver). Type in David Good on “Filter by Artist Name”




Not So Still Life: Video Interview with CTV's Adam Sawatsky (click on title)

 



Plein Air Painting in Floating Frame